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	<title>Comments for eegoo</title>
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	<link>http://www.eegoo.hk</link>
	<description>interior + architecture + design</description>
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		<title>Comment on 全球最高樓　 828米杜拜塔 by eegoo</title>
		<link>http://www.eegoo.hk/2010/556/comment-page-1#comment-23</link>
		<dc:creator>eegoo</dc:creator>
		<pubDate>Tue, 05 Jan 2010 15:15:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.eegoo.hk/?p=556#comment-23</guid>
		<description>全球第一高樓　哈利法塔今啟用

位於杜拜的世界第一高樓哈利法塔（ Burj Khalifa，前稱杜拜塔），本港時間今晨零時正式落成啟用。啟用禮由杜拜酋長、阿聯酋副總統阿勒馬克圖姆主持，他公佈大樓的實際高度為 828米，正式名稱為「哈利法塔」，以阿聯酋總統哈利法命名。
「如坐小型飛機或直升機」

置身 828米高大樓內，俯瞰杜拜全景，有記者用「腳震」來形容大地在我腳下的感覺。景觀雖是一絕，但內櫳仍未弄好，石屎牆和喉管全露，工人仍在趕工。取代台北的 101大樓、成為全球第一高樓的哈利法塔，樓高逾 200層，其中 160層是供人居住，頂層可遠眺 100公里外的伊朗。當局昨天早上安排記者到第 124層、離地 450米的全球最高觀景台率先感受第一高樓的滋味，英國《每日鏡報》記者諾爾埃形容：「置身在這個高度，我兩條腿有點顫抖，覺得自己正在坐小型飛機或直升機。」美國《芝加哥論壇報》記者大讚這個無敵景觀，但指窗口有點骯髒，應盡快清理。

雖說哈利法塔落成啟用，但很多樓層的內櫳仍未裝修好，英國《每日郵報》上周五進入大樓內，發現石屎牆身仍未批盪，喉管外露，用剩的建築材料放在一旁。商戶 3月 1日才收樓，住戶則在 3月 22日收樓。哈利法塔的落成啟用禮是由阿勒馬克圖姆主持。整個儀式直播，預計有 20億人觀看，晚上還有煙花表演。為確保開幕禮順利舉行，當局派出逾 1,000名警員站崗。哈利法塔內櫳還未建好，阿勒馬克圖姆急急替哈利法塔主持落成啟用儀式，皆因今年是他就任杜拜酋長四周年，希望藉着哈利法塔的落成，證明自己有能力帶領杜拜克服經濟瀕臨破產的困境，以及向外推銷杜拜作為全球品牌。
美聯社/英國《每日郵報》/《每日鏡報》

哈利法塔世界之最

1.歷來最高建築物
2.有住宅單位的最高大樓
3.最高單幢大樓
4.最多層數大樓
5.最高玻璃和鋁料外牆大樓
6.最高泳池（ 76樓）
7.最高觀景台（ 124樓）
8.最高舉行崇拜地點──清真寺（ 158樓）
9.最高夜總會（ 144樓）
10.噴水最高的噴水池（由地面噴至 274米高）
11.最快升降機（每秒 18米）
12.垂直升降距離最長升降機（地面至 124樓達 504米）
13.混凝土破紀錄泵至 605米高14.有全球首間 Armani酒店

資料來源：英國《每日鏡報》</description>
		<content:encoded><![CDATA[<p>全球第一高樓　哈利法塔今啟用</p>
<p>位於杜拜的世界第一高樓哈利法塔（ Burj Khalifa，前稱杜拜塔），本港時間今晨零時正式落成啟用。啟用禮由杜拜酋長、阿聯酋副總統阿勒馬克圖姆主持，他公佈大樓的實際高度為 828米，正式名稱為「哈利法塔」，以阿聯酋總統哈利法命名。<br />
「如坐小型飛機或直升機」</p>
<p>置身 828米高大樓內，俯瞰杜拜全景，有記者用「腳震」來形容大地在我腳下的感覺。景觀雖是一絕，但內櫳仍未弄好，石屎牆和喉管全露，工人仍在趕工。取代台北的 101大樓、成為全球第一高樓的哈利法塔，樓高逾 200層，其中 160層是供人居住，頂層可遠眺 100公里外的伊朗。當局昨天早上安排記者到第 124層、離地 450米的全球最高觀景台率先感受第一高樓的滋味，英國《每日鏡報》記者諾爾埃形容：「置身在這個高度，我兩條腿有點顫抖，覺得自己正在坐小型飛機或直升機。」美國《芝加哥論壇報》記者大讚這個無敵景觀，但指窗口有點骯髒，應盡快清理。</p>
<p>雖說哈利法塔落成啟用，但很多樓層的內櫳仍未裝修好，英國《每日郵報》上周五進入大樓內，發現石屎牆身仍未批盪，喉管外露，用剩的建築材料放在一旁。商戶 3月 1日才收樓，住戶則在 3月 22日收樓。哈利法塔的落成啟用禮是由阿勒馬克圖姆主持。整個儀式直播，預計有 20億人觀看，晚上還有煙花表演。為確保開幕禮順利舉行，當局派出逾 1,000名警員站崗。哈利法塔內櫳還未建好，阿勒馬克圖姆急急替哈利法塔主持落成啟用儀式，皆因今年是他就任杜拜酋長四周年，希望藉着哈利法塔的落成，證明自己有能力帶領杜拜克服經濟瀕臨破產的困境，以及向外推銷杜拜作為全球品牌。<br />
美聯社/英國《每日郵報》/《每日鏡報》</p>
<p>哈利法塔世界之最</p>
<p>1.歷來最高建築物<br />
2.有住宅單位的最高大樓<br />
3.最高單幢大樓<br />
4.最多層數大樓<br />
5.最高玻璃和鋁料外牆大樓<br />
6.最高泳池（ 76樓）<br />
7.最高觀景台（ 124樓）<br />
8.最高舉行崇拜地點──清真寺（ 158樓）<br />
9.最高夜總會（ 144樓）<br />
10.噴水最高的噴水池（由地面噴至 274米高）<br />
11.最快升降機（每秒 18米）<br />
12.垂直升降距離最長升降機（地面至 124樓達 504米）<br />
13.混凝土破紀錄泵至 605米高14.有全球首間 Armani酒店</p>
<p>資料來源：英國《每日鏡報》</p>
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	</item>
	<item>
		<title>Comment on Tadao Ando by eegoo</title>
		<link>http://www.eegoo.hk/2009/188/comment-page-1#comment-22</link>
		<dc:creator>eegoo</dc:creator>
		<pubDate>Mon, 04 Jan 2010 12:05:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.eegoo.hk/?p=188#comment-22</guid>
		<description>“... in my life I have done many things, at one time I was a boxer... I was never a good student. I always preferred learning things on my own.”</description>
		<content:encoded><![CDATA[<p>“&#8230; in my life I have done many things, at one time I was a boxer&#8230; I was never a good student. I always preferred learning things on my own.”</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Tadao Ando by eegoo</title>
		<link>http://www.eegoo.hk/2009/188/comment-page-1#comment-21</link>
		<dc:creator>eegoo</dc:creator>
		<pubDate>Mon, 04 Jan 2010 11:46:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.eegoo.hk/?p=188#comment-21</guid>
		<description>“As an architect you have to do your best work for any project, but for me the most satisfying thing is when architecture can do something to make people&#039;s lives better, to inspire them.”</description>
		<content:encoded><![CDATA[<p>“As an architect you have to do your best work for any project, but for me the most satisfying thing is when architecture can do something to make people&#8217;s lives better, to inspire them.”</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Tadao Ando by eegoo</title>
		<link>http://www.eegoo.hk/2009/188/comment-page-1#comment-20</link>
		<dc:creator>eegoo</dc:creator>
		<pubDate>Mon, 04 Jan 2010 11:31:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.eegoo.hk/?p=188#comment-20</guid>
		<description>Tadao Ando was born in Osaka, Japan, on September 13, 1941 and was raised by his grandmother. At 10 to 17 years of age, he worked with a local carpenter where he learned to work with wood, building model airplanes and ships.

School-wise, Tadao chose his own method of learning, outside the classroom through visits to buildings in the region and always with a lot of reading about architecture. He studied architecture at his own pace and also visited other customs, cultures and buildings in Europe and North America.

    “I was never a good student. I always preferred learning things on my own outside of class. When I was about 18, I started to visit temples, shrines and tea houses in Kyoto and nara; There&#039;s a lot of great traditional architecture in the area. I was studying architecture by going to see actual building, and reading books about them.”</description>
		<content:encoded><![CDATA[<p>Tadao Ando was born in Osaka, Japan, on September 13, 1941 and was raised by his grandmother. At 10 to 17 years of age, he worked with a local carpenter where he learned to work with wood, building model airplanes and ships.</p>
<p>School-wise, Tadao chose his own method of learning, outside the classroom through visits to buildings in the region and always with a lot of reading about architecture. He studied architecture at his own pace and also visited other customs, cultures and buildings in Europe and North America.</p>
<p>    “I was never a good student. I always preferred learning things on my own outside of class. When I was about 18, I started to visit temples, shrines and tea houses in Kyoto and nara; There&#8217;s a lot of great traditional architecture in the area. I was studying architecture by going to see actual building, and reading books about them.”</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Tadao Ando by eegoo</title>
		<link>http://www.eegoo.hk/2009/188/comment-page-1#comment-19</link>
		<dc:creator>eegoo</dc:creator>
		<pubDate>Mon, 04 Jan 2010 11:30:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.eegoo.hk/?p=188#comment-19</guid>
		<description>He was a truck driver and boxer, he taught himself architecture as he didn&#039;t like school and preferred to study his way, visiting and analyzing the works. Tadao Ando has consolidated his name by performing an architecture that&#039;s pure, allowing the user to experience space and nature in his works.</description>
		<content:encoded><![CDATA[<p>He was a truck driver and boxer, he taught himself architecture as he didn&#8217;t like school and preferred to study his way, visiting and analyzing the works. Tadao Ando has consolidated his name by performing an architecture that&#8217;s pure, allowing the user to experience space and nature in his works.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Tadao Ando by eegoo</title>
		<link>http://www.eegoo.hk/2009/188/comment-page-1#comment-18</link>
		<dc:creator>eegoo</dc:creator>
		<pubDate>Mon, 04 Jan 2010 11:13:32 +0000</pubDate>
		<guid isPermaLink="false">http://www.eegoo.hk/?p=188#comment-18</guid>
		<description>安籐忠雄於1941年在日本大阪出生，其作品屢獲國際殊榮，包括曾於1995年榮膺建築界最高榮譽的普裡茨克建築獎 (Pritzker Architecture Prize)，以及於2002年榮獲美國建築師協會頒發金章。 跟云云當代建築師不同，安籐從未接受過任何正統的建築學訓練；然而，卻憑其博覽群書以及周遊列國(包括美國、歐洲及非洲)的遊歷經驗而自學成功，並於1969年創辦 Tadao Ando Architect &amp; Associates。 

安籐並不認同現今普遍充斥著建築業界的消費性主義。他對條理紊亂的日本都市環境既有感性及深刻的批判，但其風格及作品仍與都市風貌保持緊密聯繫。 安籐雖然從不隨波逐流或盲目跟從一時的設計風尚，但其選用的物料以及建築形態卻能將現今社會物質主義的洪流融入其建築設計之中。 因此，安籐的作品往往採用混凝土物料配合玻璃建材，這正與日本以至全球建築的發展趨勢不謀而合。 

與傳統日本建築理念相反，安籐的設計往往凝造出一種帶有局限性的空間感，並非單純追求開揚的感覺。 他巧妙地利用牆壁來建造一個個以人為本的空間，與單調的商業性建築形成強烈對比。 

安籐亦開創了一套獨特、嶄新的建築風格，以半製成的厚重混凝土，以及簡約的幾何圖案構成既巧妙又豐富的設計效果。 安籐的建築風格靜謐而明朗，為傳統的日本建築設計帶來劃時代的啟迪。</description>
		<content:encoded><![CDATA[<p>安籐忠雄於1941年在日本大阪出生，其作品屢獲國際殊榮，包括曾於1995年榮膺建築界最高榮譽的普裡茨克建築獎 (Pritzker Architecture Prize)，以及於2002年榮獲美國建築師協會頒發金章。 跟云云當代建築師不同，安籐從未接受過任何正統的建築學訓練；然而，卻憑其博覽群書以及周遊列國(包括美國、歐洲及非洲)的遊歷經驗而自學成功，並於1969年創辦 Tadao Ando Architect &amp; Associates。 </p>
<p>安籐並不認同現今普遍充斥著建築業界的消費性主義。他對條理紊亂的日本都市環境既有感性及深刻的批判，但其風格及作品仍與都市風貌保持緊密聯繫。 安籐雖然從不隨波逐流或盲目跟從一時的設計風尚，但其選用的物料以及建築形態卻能將現今社會物質主義的洪流融入其建築設計之中。 因此，安籐的作品往往採用混凝土物料配合玻璃建材，這正與日本以至全球建築的發展趨勢不謀而合。 </p>
<p>與傳統日本建築理念相反，安籐的設計往往凝造出一種帶有局限性的空間感，並非單純追求開揚的感覺。 他巧妙地利用牆壁來建造一個個以人為本的空間，與單調的商業性建築形成強烈對比。 </p>
<p>安籐亦開創了一套獨特、嶄新的建築風格，以半製成的厚重混凝土，以及簡約的幾何圖案構成既巧妙又豐富的設計效果。 安籐的建築風格靜謐而明朗，為傳統的日本建築設計帶來劃時代的啟迪。</p>
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	</item>
	<item>
		<title>Comment on Mobile Art @HK by eegoo</title>
		<link>http://www.eegoo.hk/2008/203/comment-page-1#comment-2</link>
		<dc:creator>eegoo</dc:creator>
		<pubDate>Wed, 28 Jan 2009 15:48:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.eegoo.hk/?p=203#comment-2</guid>
		<description>MOBILE ART is a traveling exhibition devised as a three-dimensional film and presented in a futuristic pavilion specially created by the architect Zaha Hadid.
The creative concept of MOBILE ART is the result of an aesthetic experiment conducted over the last two years in which the values and visual language of CHANEL confronted those of some twenty contemporary artists from all geographic and generational origins.
Invited to visit Mademoiselle Chanel’s Parisian apartment, rue Cambon, and the workshops where the CHANEL handbags are made, these artists were given complete freedom to create artworks inspired by the elements that create the identity of CHANEL’s emblematic accessory, the quilted bag.
All means of expression currently being used in contemporary art will be represented: installation, sculpture, photography, video, sound etc…
MOBILE ART is not so much an exhibition to be visited as a landscape to wander through in a completely new way: to experience the artists’ installations, visitors equipped with a MP3 player must let themselves be guided mentally and physically by a soundtrack created by the label “Soundwalk” in collaboration with each of the artists. This soundtrack mixes the original music of a diverse range of artists with voice and ambient sound effects.
MOBILE ART is above all a new form of artistic expression, an unique experience, combining architecture, art, sound creation and fashion.</description>
		<content:encoded><![CDATA[<p>MOBILE ART is a traveling exhibition devised as a three-dimensional film and presented in a futuristic pavilion specially created by the architect Zaha Hadid.<br />
The creative concept of MOBILE ART is the result of an aesthetic experiment conducted over the last two years in which the values and visual language of CHANEL confronted those of some twenty contemporary artists from all geographic and generational origins.<br />
Invited to visit Mademoiselle Chanel’s Parisian apartment, rue Cambon, and the workshops where the CHANEL handbags are made, these artists were given complete freedom to create artworks inspired by the elements that create the identity of CHANEL’s emblematic accessory, the quilted bag.<br />
All means of expression currently being used in contemporary art will be represented: installation, sculpture, photography, video, sound etc…<br />
MOBILE ART is not so much an exhibition to be visited as a landscape to wander through in a completely new way: to experience the artists’ installations, visitors equipped with a MP3 player must let themselves be guided mentally and physically by a soundtrack created by the label “Soundwalk” in collaboration with each of the artists. This soundtrack mixes the original music of a diverse range of artists with voice and ambient sound effects.<br />
MOBILE ART is above all a new form of artistic expression, an unique experience, combining architecture, art, sound creation and fashion.</p>
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