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	<title> &#187; commentary</title>
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		<title>commentary by le corbusier</title>
		<link>http://www.eegoo.hk/2009/198</link>
		<comments>http://www.eegoo.hk/2009/198#comments</comments>
		<pubDate>Wed, 28 Jan 2009 15:44:20 +0000</pubDate>
		<dc:creator>eegoo</dc:creator>
				<category><![CDATA[... designer]]></category>
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		<category><![CDATA[corbusier]]></category>

		<guid isPermaLink="false">http://www.eegoo.hk/?p=198</guid>
		<description><![CDATA[===== Le Corbusier:Unite d’habitation/Marseilles ===== Architect:Le Corbusier Location:Marseilles,France Date:1946 to 1952 Building Type:multifamily housing Construction System:concrete Style:Modern 【Notes】 Housing slab, raised off ground on sculpted legs. t’s little wonder that Le Corbusier’s nine-storey edifice was nicknamed La Maison du Fada or ‘house of the crazy’ in Provencal patois. Post-war overcrowding in east Marseille called for [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-199" title="fresque_unite_dhabitation" src="http://www.eegoo.hk/wp-content/uploads/2009/01/fresque_unite_dhabitation.jpg" alt="fresque_unite_dhabitation" width="300" height="225" />=====<br />
Le Corbusier:Unite d’habitation/Marseilles<br />
=====<br />
Architect:Le Corbusier<br />
Location:Marseilles,France<br />
Date:1946 to 1952<br />
Building Type:multifamily housing<br />
Construction System:concrete<br />
Style:Modern</p>
<p>【Notes】</p>
<p>Housing slab, raised off ground on sculpted legs.</p>
<p>t’s little wonder that Le Corbusier’s nine-storey edifice was nicknamed La Maison<br />
du Fada or ‘house of the crazy’ in Provencal patois. Post-war overcrowding in east<br />
Marseille called for desperate measures and Le Corbusier’s grand scheme, known as<br />
the Unité d’Habitation, was to push thousands of local residents skyward in<br />
self-contained units. The master plan also included the ‘Le Corbusier’ hotel<br />
on the third floor.<span id="more-198"></span></p>
<p>Temporary residents are still welcome to make the 30-minute taxi ride from<br />
Marseille airport to bed down in a true vision of the future. The 300-apartment<br />
block retains heaps of original features, such as the Charlotte Perrian fitted<br />
kitchens and huge comma-shaped lamps. Many of the hotel rooms are a little on<br />
the small and spartan side but are as well kept as the rest of the building,<br />
allowing you that brief taste of urban utopia.</p>
<p>The multi-coloured fa?ade is so painted to hide some dodgy concrete,<br />
but Corbusier did have the foresight to surround the Unité with green<br />
open spaces and trees, and the rooftop garden offers corking views of<br />
the Med. Thanks to another natty piece of urban planning, the hotel is<br />
only four Metro stops away from the centre of town.</p>
<p>Architecture enthusiasts (and there are a hell of a lot of them staying<br />
at Le Corbusier) can soak up Marseille’s redeveloped vieux port area<br />
before heading off on the airport shuttle bus from St Charles station.<br />
Finally, ten points if you spot a polo-necked designer in Le Corbusier’s<br />
bar: these trendy types are allegedly snapping up apartments here in droves.</p>
<p>【Commentary】</p>
<p>Le Corbusier’s most influential late work was his first significant postwar<br />
structure—the Unitè d’Habitation in Marseilles of 1947-52. The giant,<br />
twelve-story apartment block for 1.600 people is the late modern counterpart<br />
of the mass housing schemes of the 1920s, similarly built to alleviate a<br />
severe postwar housing shortage. Although the program of the building is<br />
elaborate, structurally it is simple: a rectilinear ferroconcrete grid,<br />
into which are slotted precast individual apartment units, like ‘bottles<br />
into a wine rack’ as the architect put it. Through ingenious planning,<br />
twenty-three different apartment configurations were provided to<br />
acccommodate single persons and families as large as ten, nearly<br />
all with double-height living rooms and the deep balconies that form<br />
the major external feature.</p>
<p>—Marvin Trachtenberg and Isabelle Hyman.<br />
Architecture: from Prehistory to Post-Modernism. p541.</p>
<p>&gt;&gt;&gt; http://www.hotellecorbusier.com/</p>
<p>=====<br />
Le Corbusier-Villa Savoye<br />
=====<br />
Architect:Le Corbusier<br />
Location:Poissy, France<br />
Date:1928 to 1929<br />
Building Type:House<br />
Construction System:concrete and plastered unit masonry<br />
Style:Modern</p>
<p>【Notes】</p>
<p>An early and classic exemplar of the “International Style”, which hovers above a grass plane<br />
on thin concrete pilotti, with strip windows, and a flat roof with a deck area, ramp, and a<br />
few contained touches of curvaceous walls.</p>
<p>【Commentary】</p>
<p>“Unlike the confined urban locations of most of Le Corbusier’s earlier houses, the<br />
openness of the Poissy site permitted a freestanding building and the full realization<br />
of his five-point program. Essentially the house comprises two contrasting, sharply<br />
defined,yet interpenetrating external aspects. The dominant element is the square<br />
single-storied box,a pure, sleek, geometric envelope lifted buoyantly above slender<br />
pilotis, its taut skin slit for narrow ribbon windows that run unbroken from corner<br />
to corner (but not over them, thus preserving the integrity of the sides of the square).”</p>
<p>Marvin Trachtenberg and Isabelle Hyman. Architecture:<br />
from Prehistory to Post-Modernism. p530.</p>
<p><strong>The Five Points of a New Architecture</strong></p>
<p>1.The Pilotis<br />
2.The roof gardens<br />
3.“Free” plan<br />
4.The horizontal window<br />
5.The free facade</p>
<p>“The Five Points of a New Architecture” were formulated by Le Corbusier(1887-1965) in 1927,<br />
in order to give a theoretical basis for the fundamental principles of the Modern Movement.<br />
The Villa Savoye is the perfect illustration of this theory.</p>
<p>Address：</p>
<p>Villa Savoye<br />
82 rue de Villiers<br />
78300 Poissy<br />
01 39 65 01 06 &#8211; vox<br />
01 39 65 19 33 &#8211; fax<br />
villa-savoye@monuments-france.fr<br />
www.monum.fr</p>
<p>=====<br />
paris<br />
=====</p>
<p>If you are lucky enough to have lived in Paris as a young man,<br />
then wherever you go for the rest of your life,<br />
it stays with you,<br />
for Paris is a moveable feast.</p>
<p>－－Hemingway, 1950</p>
<p>如果你夠幸運時<br />
年輕在巴黎待過<br />
那麼巴黎將永遠跟著你<br />
因為巴黎是一席流動的饗宴</p>
<p>But Paris was a very old city and we were young and nothing was simple there,<br />
not even poverty, nor sudden money,<br />
nor the moonlight,<br />
nor right and wrong, nor<br />
the breathing of someone who lay beside you in the moonlight.</p>
<p>－－”A Moveable Feast”</p>
<p>然而，巴黎是一座古老的城市，<br />
而我們卻還年輕。<br />
這裡沒有一件事是簡單的，<br />
甚至連我們的貧困、<br />
突來的一筆錢、<br />
月光、<br />
或正確或錯誤，<br />
還有躺在你身邊，<br />
在月光下熟睡的人的呼吸聲，<br />
都沒那麼簡單。</p>
<p>－－《流動的饗宴》p.083</p>
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